Saturday, May 28, 2011

Chapter 6: Use of Bonding in Appliqué

The transfer adhesive I used for all of the sample above was Bondaweb.
The first 2 samples were created by ironing the Bondaweb to the back of the fabrics to be cut into the chosen design shapes, based on previous cut and fold design work. The primarily yellow motif was backed on to hand-dyed purple cotton poplin, followed by the next cut layer of yellow hand-dyed cotton. The 3rd layer was a shiny orange polyester. At this stage the whole motif was far too bright, brash and loud, so in order to tone it down I applied a 4th layer of violet coloured nylon organza.

The 2nd orange motif was started upon a background of hand-dyed cotton poplin, followed by a Bondaweb backed and cut heavy orange polyester satin. This was topped by a layer of hand-dyed and stamped silk organza. At this point the design lacked a central focus so I cut a small diamond shaped piece of shiny polyester and stuck it into the middle of the motif.
Of the 2 designs I preferred the first one, mainly because the colours worked better together.

The next 2 samples were ones I really enjoyed creating. It was exciting painting the Bondaweb and I can see that this technique will have lots of interesting applications in future work! I painted the Bondaweb with Jacquard Dye-na-Flow paints in the colours Periwinkle, #812, and Violet, #811. For the first shape I cut the design from the Bondaweb when it was dry; for the 2nd I tore it. I prefer the more organic effect of the torn piece. Both were applied to a lightly dyed cotton background. I then sprinkled lots of little bits and pieces of fabrics and threads on to the adhesive shape, and then covered the first sample with netting, and the 2nd with nylon chiffon. While I prefer the torn appearance of the 2nd motif, I actually prefer the colour combinations of the 1st piece, because of the greater variety of colours.

The next sample used gold Bondaweb-backed tissue paper instead of fabric. I crumpled the paper before adhering the Bondaweb to it to give added texture. Because the gold was so bright I felt it needed a very dark background to show up against so I chose a piece of dark violet rayon I dyed some time ago. I really like the overall effect of this sample, and can see lots of possibilities for using more tissue paper in the future, and not just for design work!

The next 2 samples are decorative bonded fabrics. Both used a background of handpainted cotton, the purple design using painted Bondaweb, while the orange design used unpainted web. For both pieces I sprinkled lots and lots of tiny pieces of fabrics, threads and ribbons, also threads pulled from pieces of organzas, on to the webbed fabric. Then the pieces were covered with nylon chiffon scarves whose colous co-ordinated with the background fabrics. I also made a 2nd smaller piece in the same coour way as the orange sample for use in the next stage of this chapters work, although for this smaller sample I used longer pieces of threads and larger bits of cut and torn fabrics, which creates a very different effect, less subtle and blended, more obvious. Which approach I might choose in the future would depend upon the effect I was seeking.

The final 2 samples show first the fabric mentioned above, followed by the motif which was cut from an adhesive bonded sample, and applied to the dark rayon fabric used above in the gold tissue sample. I think that this created fabric looked better as part of a cut and fold design than it did as a pice of fabric alone.

All in all I enjoyed creating all these samples for this chapters assignments, and can visualize lots of uses for new techniques learned.

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